| Cue List |
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Count |
Follow |
Page |
Stage Action |
Lighting Action |
Ideas/Notes |
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| 1 |
5 |
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1 |
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House @ full/preshow, Zach lamp |
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| 2 |
5 |
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1 |
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House to half/stage out (Zach lamp) |
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| 3 |
5 |
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1 |
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House/Stage to Black |
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| 4 |
5 |
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1 |
Opening, Zach USC |
Rehearsal light & Zach table lamp |
2 scoops/front S4-36 |
| 5 |
5 |
|
2 |
with Zach, "A five, six, seven, eight!" |
Rehearsal but more depth |
Limited |
| 6 |
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DELETED |
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| 7 |
2 |
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3 |
Zach, "Number 60 upstage…" |
Internal Thought Light |
Full stage gobos |
| 8 |
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DELETED |
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| 9 |
2 |
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3 |
All, "Got to get this job." |
Reality lighting |
add some side for ballet |
| 10 |
3 |
|
6 |
Zach, "Up, up, up." |
ITL by all |
For,"God I really blew it…" |
| 11 |
2 |
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6 |
After All, "He doesn't like the way I…" |
Reality lighting |
add jazzy light -top? |
| 12 |
3 |
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8 |
Zach, "A five, six, seven, eight…" |
ITL by all |
Full stage gobos |
| 13 |
3 |
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9 |
After...All, "I've got to get this job." |
Reality lighting |
add front w/atmosphere |
| 14 |
6 |
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10 |
Zach, "Number two… |
Bring in the line lights |
The line slowly |
| 15 |
3 |
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10 |
Zach, "Larry….." |
ITL by all |
Full stage gobos |
| 16 |
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DELETE |
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| 17 |
0 |
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11 |
1st bump |
Bring up footlights quick |
0 count |
| 18 |
0 |
|
11 |
Line lights up |
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| 19 |
5 |
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12 |
After Larry crosses in front of Paul |
Line lights down |
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| 20 |
5 |
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12 |
Paul, "Oh God, I need this show." |
X-fade |
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| 21 |
5 |
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18 |
After Zach, "All right Diana, back in line." |
Line down a little for followspot |
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| 22 |
5 |
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19 |
After Zach, "as much as you can." |
Line lights up. |
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| 23 |
3 |
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20 |
Zach, "Okay, Mike, I'll start with you." |
Line lights dim |
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| 24 |
5 |
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21 |
Mike, "Four. And I'd sit there all perky and…" |
Line lights dim shift |
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| 25 |
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DELETE |
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| 26 |
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DELETE |
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| 27 |
4 |
4 |
24 |
Bobby, "…paint the soles of his feet." |
Line lights dim, DS lights |
|
| 28 |
4 |
18 |
24 |
steps forward |
Add DSR side also with second group |
Is Bobby pantomime |
| 29 |
5 |
|
24 |
steps forward |
strong side light from DSL |
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| 30 |
5 |
|
24 |
After sings, "…What can I tell him. |
Line lights up |
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| 31 |
4 |
4 |
24 |
Bobby " ...their furniture. And…" |
Line lights dim. Strong SR side light & gobo |
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| 31.2 |
4 |
18 |
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like 28 |
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| 31.4 |
5 |
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like 29 |
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| 32 |
5 |
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25 |
after "What can I tell him?" |
Lights up on line. |
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| 33 |
4 |
4 |
25 |
Bobby, "and…." |
Line lights down, strong SL side light & gobo |
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| 33.2 |
4 |
18 |
26 |
For chorus |
Add sides |
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| 33.4 |
5 |
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26 |
For chorus |
Add sides |
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| 34 |
5 |
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26 |
After Val and Diana, "..and…' |
Line lights up.Strong side light, gobos out |
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| 35 |
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DELETE |
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| 36 |
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DELETE |
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| 37 |
5 |
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30 |
Sheila, "was--ah…not good! |
Line lights dim. Low lights upstage. |
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| 38 |
5 |
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32 |
Maggie, Sheila, Bebe sing. Line at bar |
Upstage light at bar and mirrors up |
Strips on booms. 5-8 count |
| 39 |
5 |
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33 |
singing, "but it was home." |
Upstage light at bar and mirrors lower |
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| 40 |
5 |
|
34 |
Maggie singing, " At the Ballet…" |
CS lights up for group ballet, sides invert V |
sides?? |
| 41 |
5 |
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34 |
As group moves to line |
Line lights up |
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| 42 |
5 |
|
35 |
Zach says, "Kristine.." |
Line lights dim slightly |
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| 43 |
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DELETE |
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| 44 |
5 |
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37 |
Kristine says, "And when Christmas comes… |
try top special fresnel light, group light |
Upstage strips? |
| 45 |
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DELETE |
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| 46 |
5 |
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38 |
Do, re, mi, fa, sol…… |
Side lights |
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| 47 |
5 |
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everyone in line |
back to low level used |
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| 48 |
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DELETE |
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| 49 |
5 |
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39 |
Mark into pantomime |
All in ITL, use gobos, and/or ? |
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| 50 |
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DELETE |
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| 51 |
5 |
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40 |
Move DS to Line |
Light up on Line |
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| 52 |
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DELETE |
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| 52.2 |
5 |
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move USC |
Dim others |
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| 52.4 |
5 |
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Pop ups |
CS light for pop up |
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| 53 |
5 |
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43 |
Shift back to line |
Fade CS lights to line |
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| 54 |
5 |
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44 |
Connie back to line |
Line lights down |
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| 55 |
5 |
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44 |
Diana, "OK, go!" |
Line lights down cool top blue light onstage |
Line turns upstage and exits |
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small amt of light upstage followed by out |
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| 56 |
5 |
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45 |
DELETE |
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| 57 |
5 |
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46 |
Don moves downstage |
Shift areas and color |
no line |
| 58 |
5 |
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46 |
Robot like entrance SL |
Strong side light from SR wing 2 |
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| 59 |
5 |
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46 |
Shift onstage |
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| 60 |
5 |
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48 |
Group is USL |
from USL to USC V highlight center triangle |
side light gone |
| 61 |
5 |
|
49 |
Group is USC |
movement to the line dim light |
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| 62 |
5 |
|
50 |
Judy back in line |
Line lights |
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| 63 |
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DELETED |
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| 64 |
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DELETED |
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| 65 |
5 |
|
52 |
Move back to the line |
Line lights up on line |
beginning of chorus |
| 66 |
5 |
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53 |
chorus multiple people |
increase levels. |
song is building |
| 67 |
5 |
|
54 |
chorus building…building |
Increase levels…increase…. |
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| 68 |
5 |
|
55 |
8 count pointing finger thing |
add mirror ball, appropriate levels |
mirror ball |
| 69 |
5 |
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56 |
Richie, "Gimme the Ball… |
shift to US |
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| 70 |
5 |
|
57 |
slap on floor |
x-fade to line light added |
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| 71 |
5 |
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58 |
walk DS |
Line and add more footlights? |
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| 72 |
5 |
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58 |
All, "Go to it.." |
back to line not posed |
fade to just line by pg 59 |
| 73 |
5 |
|
59 |
Posed |
Posed |
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| 74 |
5 |
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59 |
Dance 10, Looks 3, Val DSC boys on line |
Board, Line lights down |
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| 75 |
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DELETE |
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check choreography |
| 76 |
5 |
|
61 |
adding boys in dance |
shift and add footlights as a chorus |
footlights Upstage where |
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girls are lower |
| 77 |
5 |
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62 |
Lift Val |
Boost lights at end |
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| 78 |
5 |
|
62 |
Paul |
Shift to Paul |
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| 79 |
5 |
|
63 |
Zach says, Paul, we'll try…" Paul back in line |
Shift |
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| 80 |
10 |
|
64 |
Everyone exits but Zach & Cassie |
Transition lights for dialogue |
Stanley M lights |
| 81 |
5 |
|
64 |
Cassie sings |
Stage lights change lower |
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| 82 |
5 |
|
65 |
Back to dialogue |
Stage lights change back |
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| 83 |
5 |
|
65 |
Cassie sings |
Stage lights change lower, followspot 3 higher |
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| 84 |
5 |
|
65 |
Back to dialogue |
Stage lights change back and add line |
fade stage lighting |
| 85 |
7 |
|
66 |
Cassie dance number |
Stage lights lower some |
only small amt of top |
| 86 |
5 |
|
66 |
Singing "Play me the Music", |
Mirrors revealed, lights & music together |
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| 87 |
4 |
|
67 |
Zach entrance |
Shift |
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| 87.5 |
5 |
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Zach leaves Zach dance done |
Shift |
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| 87.7 |
5 |
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End of song |
Back to beginning |
|
| 88 |
5 |
|
67 |
Larry enters |
back to real stage lights |
reg Stan M lights |
| 89 |
10 |
|
69 |
Paul enters-dialogue with Zach |
Add top blues for cold dialogue |
|
| 90 |
12 |
|
71 |
Pauls monologue, "One day I looked in the… |
Slow fade to followspot, keep little top? |
Gold top? |
| 91 |
7 |
|
73 |
Zach enters |
Add minimal light for Zach's entrance |
Tiny bit of front pink |
| 92 |
5 |
|
73 |
Zach, "Alright, bring 'em in. Everyone enters |
Full stage lighting for rehearsal dance |
scoops and front Source 4 |
| 93 |
5 |
|
74 |
ONE - fullstage combos |
Add lighting to build with music |
Try strong light form one position |
| 94 |
5 |
|
76 |
Zach |
Full stage non-reality add gobos |
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| 95 |
3 |
|
79 |
Before Zach, "Right, lets do it " groups of 4 |
reality lights - gobos out |
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| 96 |
3 |
|
79 |
Zach, "…Group three. Group four" |
back to ITL - add gobos and strong lighting |
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| 97 |
3 |
|
81 |
before Zach, "Right, let me see the girls…." |
reality - gobos out |
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| 98 |
5 |
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85 |
After Zach says, "Smile and sing!" |
Add lights |
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Everyone is singing, One Singular….. |
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| 99 |
5 |
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85 |
Zach pulls Cassie downstage |
Upstage is dimmer, scene DSR with Stan M lighting |
|
| 100 |
5 |
5 |
86 |
Chorus |
slight shift to different strong lights |
keep levels low but change |
| 101 |
5 |
5 |
87 |
Chorus |
slight shift to different strong lights |
keep levels low but change |
| 101.5 |
5 |
|
87 |
Chorus |
Chorus response light out |
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| 102 |
5 |
|
88 |
Chorus |
slight shift to different strong lights |
keep levels low but change |
| 103 |
10 |
|
88 |
Chorus and Zach & Cassie dialogue |
building of lights all together |
not too much, need more |
| 104 |
5 |
|
89 |
Both turn and Look upstage |
take out dialogue lights and go to stage dance lights |
transition lights |
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Zach, "Is this really what you want from me?" |
joining chorus |
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| 104.5 |
10 |
|
89 |
"One, one…. |
slow transition |
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| 105 |
5 |
|
90 |
Larry, "Who are we going to hire?" |
Early rehearsal light |
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| 106 |
5 |
|
90 |
Larry, "OK the tap combination." tap combo |
Sides for feet, rehearsal plus direction |
|
| 107 |
5 |
|
91 |
Break into groups for tap combo |
from sides DSC, also light on Zach |
Zach at table |
| 108 |
5 |
|
92 |
Dance Section 2 |
slight shift to different strong lights |
|
| 109 |
5 |
|
92 |
Dance Section 3 |
slight shift to different strong lights |
|
| 110 |
5 |
|
93 |
Dance Section 4 |
slight shift to different strong lights |
|
| 111 |
5 |
|
93 |
Paul falls |
CS - back to reality - harsh |
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| 112 |
15 |
|
97 |
Zach, "What do you do when you |
Real but more optimistic |
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can't dance anymore?" with music |
Bring in outside world also to soften |
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| 113 |
5 |
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101 |
Val, "Right so you get into acting… |
all leave stage but 4 |
more positive, warmer |
| 114 |
10 |
|
103 |
Diana, "And Christ I get this feeling…" |
? Still in rehearsal but lower |
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with music underscoring |
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| 115 |
8 |
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104 |
What I did for love. Diana DSC |
Add low side light w/transition |
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| 116 |
5 |
5 |
105 |
As chorus stands and adds to singing |
Initial quicker Build side light, Take out some rehearsal |
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then add cue for long build |
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| 116.2 |
5 |
12 |
105 |
building of chorus |
more light ? |
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| 117 |
8 |
|
105 |
Actors begin going back to the line |
transition from previous to cold rehearsal light |
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| 118 |
5 |
|
105 |
Zach says, "Front line, thank you very much" |
Line lights up and cold rehearsal light |
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Begin reactions of cut line |
Zach table is lit with special |
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| 119 |
5 |
|
105 |
As Zach says, "Rehearsals begin. |
Change light to warmer, positive with line |
reactions are done |
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105 |
Cut peoples reactions are done |
add fade up of Followspot 3, take out parcan |
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special on his table |
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| 120 |
3 |
|
106 |
Zach, " Our New York opening will be |
3 count quick!! Fade out stage lights except |
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sometime mid-January." |
table lamp and followspot |
|
| 121 |
4 |
|
106 |
Zach goes and turns off table lamp(pretends) |
Blackout |
Zach fakes turning off light |
| 121.5 |
2 |
|
106 |
Music of Singular Sensation begins |
Procenium lights begin |
|
| 122 |
3 |
|
106 |
Music change - guys in place |
Start with 1 set of top line lights |
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Keep pro |
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| 123 |
3 |
|
106 |
2nd group of boys |
Add second set of top in pools of light |
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| 124 |
5 |
|
107 |
She walks into a room, first group girls |
Add front light & DS fresnel top |
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| 125 |
5 |
|
107 |
She's un……commonly, second group girls |
Add front light & more fresnel top |
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| 126 |
5 |
|
107 |
She walks into a room |
Add side lights |
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| 127 |
5 |
|
108 |
Flash revealed |
Add ballet bar lights, more front, top |
|
| 128 |
5 |
|
108 |
Music change |
Add higher procenium, sign and mirror ball |
|
| 129 |
8 |
|
108 |
Music change |
Add footlights, more, more, more |
|
| 130 |
5 |
|
109 |
A few fan kicks |
Blackout |
|
| 131 |
8 |
|
109 |
Actors offstage |
House and postshow (Pro & sign) |
|
| 132 |
5 |
|
109 |
Done |
Postshow out, house at full |
|
| 133 |
12 |
|
109 |
Really done |
House out |
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